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Things to See & Do
Guide to Sightseeing in Brugge

The Markt

In the Markt (Market Square), heraldic banners float from venerable facades. This square, along with the Burg , is the heart of Bruges and the focal point of your sightseeing. Most major points of interest in the city are no more than 5 or 10 minutes' walk away.

The sculpture group in the center of the Markt depicts a pair of Flemish heroes, butcher Jan Breydel and weaver Pieter de Coninck. The two led an uprising in 1302 against the wealthy merchants and nobles who dominated the guilds, then went on to win an against-all-odds victory over French knights later that same year in the Battle of the Golden Spurs. The small, castle-like building called the Craenenburg (it's now a restaurant), on the corner of Sint Amandstraat at Grote Markt, was used to imprison Crown Prince Maximilian of Austria in 1482. In exchange for that humiliation, Maximilian later on exacted a penalty from the citizens of Bruges that added a note of pure beauty to the city: He obliged them to keep swans in the canals forever. The large neo-Gothic Provinciaal Hof (Provincial Palace House) dates from the 1800s and houses the government of the province of West Flanders.

The Burg

The Markt's little brother in many respects, the Burg is Bruges's other picturesque square and offers a more authentic slice of city life. Like its larger neighbour the square contains many examples of the perfectly preserved medieval and Renaissance architecture that makes Bruges so special.

Formerly the Burg was the site of the St Donatian Cathedral but this was destroyed in one of the city's uprisings (this one in the 18th century). Today the square's tall buildings house more mundane concerns and are home to shops selling gifts and souvenirs to the tourist crowds that throng around the Stadhuis (town hall) and the Burg's other architectural attractions. The quaint pavement bars here are the best place in the city to sit with a beer, soak up the fragrance of the flowers on sale, and watch Bruges go about its business.

Church of Our Lady

The city's most interesting church contains as many significant works of art as anywhere in the city. The painting of the crucifixion by Antony Van Dyck is impressive enough but even this pales against Michelangelo's moving Madonna and Child marble. As the church literature will tell you, this was the only piece of Michelangelo's that left Italy in the artist's lifetime and is arguably still his finest work to be seen outside his home country.

There are also several notable memorials to be seen in and around the church, with the undoubted centrepiece being the bronze tombs of Charles the Bold (15th-century Duke of Burgundy) and his daughter Mary of Burgundy. Excavations have also uncovered some 13th-century tombs which, unusually, are decorated inside with beautiful frescoes. The exterior of the church is as impressive as the interior. Built in the Gothic style its central spire reaches 122m into the Bruges sky, making it a noticeable landmark wherever you are in the city.

Onze-Lieve-Vrouwekerk. Mariastraat.
Open: Tue-Sat 09h30-12h30 & 13h30-17h00 (Sat until 16h00); Sun 13h30-17h00.
Admission to the church: free. Admission to the Altar of Charles the Bold and painted tombs: EUR2.50 (free with admission to the Gruuthuse Museum nextdoor).

Basilica of the Holy Blood

Notable from the outside for its curiously mismatched architectural style (the higher and lower levels contrast markedly), the basilica is named for its prize relic - a phial containing a few drops of Christ's blood which found its way to Belgium almost 1,000 years ago.

The sacred blood itself is closely guarded. It is housed within a crystal container that is itself kept within an ornate gold reliquary - in which it is annually paraded through Bruges's streets. Most of the time the relic can be viewed in a small anteroom. The cathedral is well worth a few photos in its own right, the exterior, complete with gilded statues of angels is one of the finest preserved Roman-Gothic façades in Europe.

Heilig Bloed Basiliek. Burg 10.
Open: daily 09h30-11h50 & 14h00-17h50 (Apr-Sep); 10h00-11h50 & 14h00-15h50 (Oct-Mar).
Admission: free.

Groeninge Museum

Bruges's premier art museum, the Groeninge houses a superb collection of works covering the whole spectrum of art from the Middle Ages to the present day. Renaissance and baroque interpretations of Flemish primitive art form the cornerstone of the collection, but there's a great deal more to see in the many rooms of what is an ironically unimpressive building.

Although there are works by various notable international artists, the museum concentrates mainly on Belgian and Dutch art, and follows the various movements that have influenced local artists throughout history. Religious iconography is particularly well represented in the museum, as are the Old Masters, including Jan Van Eyck and Hiëronymus Bosch. Lovers of Modern Art will not be disappointed, however, with luminaries of the Symbolist and Expressionist movements well represented along with contemporary artists in permanent and temporary exhibitions. Names to look out for include René Magritte and Rik Wouters.

Dijver 12.
Open: Tue-Sun 09h30-17h00.
Admission: EUR8.

The Belfry

Unrivalled views of Bruges and beyond are the reward for climbing the belfry (Belfort) tower's 366 steps leading up from the Markt. A winding path of tourists from top to bottom is the norm during summer months but patience is well rewarded with the classical picture postcard vista of the city and its main sights laid out below you.

Constructed in the 13th century and one of the most intricately designed of Bruges's many detailed buildings, the Belfort is the former home of the city treasury. Now its most treasured artefact is the 47-bell carillon, added in the 18th century and still played daily (on an almost endless basis, it sometimes seems).

Markt.
Open: Tue-Sun 09h30-17h00.
Admission: EUR5.

Choco-Story

Whether or not you have chocoholic tendencies, the chocolate museum provides a fascinating account of the history of one of the world's most addictive foodstuffs, taking visitors right back to the earliest known preparation of chocolate by the ancient Olmecs in Belize around 600BC. Exhibits follow the story of chocolate, from its popularity among the Aztecs - who mixed it with blood as an offering to the Gods and used cocoa beans as currency - through Cortez's introduction of the recipe for drinking chocolate to Spain in 1528 and its gradual infiltration into European high society. Chocolate became a sign of status, epitomised in the exclusive private English chocolate clubs of the 17th century, where aristocratic men would meet to discuss politics and the like over a steaming cup of cocoa. It wasn't until the 19th century that it became common practice to eat - rather than drink - chocolate, and Belgium was at the forefront of inventing new ways of eating the delicacy, the greatest breakthrough coming about in 1912 when Jean Neuhaus produced the first Belgian pralines.

Once you've toured the museum, there's an opportunity to watch a demonstration of praline making (held every few minutes) and, finally, to taste the end product.

Sint-Jansplein.
Open: daily 10h00-17h00.
Admission: EUR5.

The Halve Maan Brewery

Despite the way it sounds, the name of this historical brewery means 'Half Moon' and is not a reference to pint-sized people or even the perils of incapacity brought on by too much drink. When founded in 1564 it was actually called "The Moon" but somewhere along the line the name waned away to the "Half Moon".

There are no half measures about the pedigree of this establishment however. Its insistence on being at the forefront of innovation saw the introduction of bottled beer ahead of its time in the first few years of the 20th century and its beers are among the best in the country. There is an entertaining exhibition space in the museum where you can see the gigantic copper pipes and mash tuns that are used in the beer-making process and learn the techniques that go into the Belgian mastercraft of brewing. Still very much a working brewery, daily tours of the facility culminate in a tasting session.

Walplein 26.
Open: Mon-Fri 11h00-16h00, Sat-Sun 11h00-17h00 (Apr-Oct); Mon-Fri 11h00-15h00, Sat-Sun 11h00-16h00 (Nov-Mar).
Cost: EUR4.

The Town Hall

Situated on the Burg, Bruges's town hall (Stadhuis) is one of the oldest in Europe, having been built between 1376 and 1420. Like much of the city it is a triumph of Gothic architecture with over-elaborate buttresses adorning its entire front façade. Also, like a lot of the city's older structures, this venerable municipal building is another whose history includes vandalism at the hands of the French army.

Today, the Stadhuis's ornate carvings and superior stonework survive and are among the city's most memorable sights. A partial rebuilding of the interior in the late 18th century restored much of its glory, and the murals that depict the city's history date from around this period. Look out too for the medieval carved ceiling of the council chamber.

Burg 12.
Open: Tue-Sun 09h30-17h00.
Admission: EUR2.50.

St Janshuismolen and the City Walls

A pleasant, kilometre-long walk from the centre, overlooking the Kanaal Brugge-damme, is a line of four windmills, the archetypal Low Countries scene.

The St Janshuismolen dating from the 1770s is the only remaining original windmill of the many which surrounded the Bruges city walls from the 13th to 18th centuries. Formerly used to make flour, its function is now purely decorative, though its sails are regularly set in motion and it makes for an excellent picnic or photograph spot.

The other three windmills that neighbour it were moved from elsewhere and rebuilt here during the 20th century. They are the Bonne Chihre Mill, originally from Olsene, the Coeleweymolen, and the Nieuwe Papegaai. The windmills are open to visitors in summer but are a picturesque sight at any time of year.

Gruuthuse Museum

As much an attraction for the building itself as for the artefacts it contains, the Gruuthuse Museum is housed in the former palace of the Lords of Gruuthuse. Dating from the 15th century, the building is a superb example of the lavish architecture and interior décor of its time, with beautifully grand fireplaces and heavy oak panelling.

Inside, pride of place goes to a number of enormous 17th-century tapestries, along with Gothic furniture, baroque art and silverware and ceramics from the 15th to 18th centuries. There'a a particularly grisly collection of ointments and pictures of unusual conditions in the medical room, and even a guillotine bought by the Bruges authorities from France to keep its citizens on the straight and narrow. It is quite clear just how eminent the former inhabitants of the house were: they had a chapel in the house with its own private window overlooking the interior of the Church of Our Lady nextdoor.

Dijver 17.
Open: Tue-Sun 09h30-17h00.
Admission: EUR6, adults; EUR4, children.

 

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